On to the other half of the Vaslav costumes (see the first dresses for the Vaslav play here). I can also go and quote some nice reviews.

Diaghilev

I should note that as with all the other theater costume projects the designer is Yan Tax. I paint them after his directions. Still of course checking for any reviews if they say anything about the costumes! Being glad that almost all mention them – and always positively:

• Theaterparadijs says: “The costumes of Yan Tax are an especially beautiful representation of the time in which the theater piece is set – which gives the actors an extra dimension.”
  (De kostuums van Yan Tax zijn een bijzonder mooie weergave van de tijd waarin dit toneelstuk zich afspeelt en geven hiermee de acteurs een extra dimensie…)
• Volkskrant says: “…is totally perfectly produced, exemplary in dresses, decoration and light.”
  (…is het allemaal perfect geproduceerd, voorbeeldig in aankleding, decor en licht.)
• Parool says: “Yan Tax (costumes) created impeccable evening dresses for the men and fittingly boisterous gowns for the ladies.”
  (Yan Tax (kostuums) bedacht onberispelijke rokkostuums voor de heren en gepast uitzinnige jurken voor de dames.)

Here are some nice photos I found on the DeLaMar Theater’s Facebook page:

Romola’s Mother
(you can see the costume drawing in the last post)

On to the drawings:

Diaghilev with a fur coat.

Emilia in an stylish white coat with pattern.

Romola in a festive dress.

Vaslav in an evening suit.

Vaslav in a black coat.

Vaslav in a dancers dress.

The servant with simple coat and cap.

Romola dressed for a ballet premiere.