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September 5, 2010

Tidbits from Dresden – part one

Filed under: art findings — Tags: , , , , , — Thomas @ 11:14

I'm back from a trip to Germany - visiting Dresden, Berlin and then Dresden again. I want to use this posting and the next to share some little discoveries and my upcoming plans.

Dresden from the Albertinum  window.

Dresden from the museum's window. Credits to my mother for pointing out this beautiful view.

It was only ten days, and somehow I always quench as much in as little time as possible. I'm surprised sometimes how much I manage - I read read more books than usually in half a year. I visit lots of museums, discover a lot of new places and interesting people - and that makes me draw more.
The inspiration is great, but the rushing is no good. I don't really have time to sit down and paint and I miss out on meeting people because I have to rush off again.

So the lesson learned is clear: Travel more, but take more time for it.

One Museum I visited was the newly opened Albertinum - containing the "National Public Art Collection". They've got a nice line of paintings ans sculptures - going from the late middle ages to modern nowadays art. I truly have the impression art got better and better over time. As good as Rembrandt was, he doesn't technically compare to most of his followers. The height of technical quality came around 1900, with Adolph Menzel, Leibl, Repin, Sargent and many others.

Gustav Klimt, 1902, "Beech Grove" (or Beech Forest), oil on canvas

Gustav Klimt, 1902, "Beech Grove" (or Beech Forest), oil on canvas

They were succeeded by a lot more experimental artists. I especially liked the Gustav Klimt painting "Beech grove". Picasso is for me the turning point - after that I just can't understand it anymore. The last paintings, showing contemporary art, were the blurred photos of Gerhard Richter and some paintings like "Gray"... which is a gray canvas. They actually make me feel very uncomfortable. Maybe there are good concepts behind it - to me it's not good paintings.

It is odd though: Are the clear style episodes one sees in museums maybe not true to what artists did? Nowadays there are so many different styles, even closely resembling older art movements. There are technically superb artists, but somehow in the museums you only find a very specific selection - lacking anything but abstract conceptual art. A real shame.

Maybe it was the same throughout history - and those art directions we learn from books and museums are not truly movements. At least not movements of artists but rather of museum directors and book writers? I wonder what diversity we just missed out on.

What made up for my disgruntlement (whow, that word is in the dictionary) was a special discovery in the museums art shop.

David Hockney's "Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters". He analyzes paintings goal to show that artists throughout history used lenses, mirrors or things like the camera obscura.
So he filled the book with massive amounts of huge beautiful prints of paintings - analyzing the style perspective and techniques. Comparing often how styles of artists developed or how their underpaintings looked. An art history book with lots of pictures? You can't imagine how rare that is.

A real catch - on sale for 19 instead of 50 Euro. If you're in Dresden - go and get it!

So much for part one from Dresden - more coming soon. But now I'm now off to another Red hair day in Breda.

David Hockney "Secret Knowlegde of the Masters" - a page

David Hockney "Secret Knowlegde of the Masters" - another page

April 5, 2010

Art as New Science

Recently the Large Hadron Collider has been reaching a new record energy output. The main goal of this huge structure is finding the Higgs boson.
Exciting? Hm. The particle is important for high energy physics – without it, the mathematics would be flawed. But we know that the mathematics are highly accurate. The Higgs Boson is part of it since 50 years. So it is likely that they’ll find it.
Doesn’t sound so exiting anymore, does it? And if they find it – would your understanding of the universe be expanded? The particle zoo is already so complex and incomprehensible, that confirmation another inhabitant would not make a big difference (at least for a layman’s view I guess).

Richard Feynman was one of the scientists that worked on a great outburst of discoveries in the field in the 1950s. He laid important theoretic groundwork. At the time new particles have been found every other week (leading to Isidor Rabi’s quote “Who ordered that?”).
Since then the field of quantum electrodynamics had no major new discovery. Feynman himself might highlight why: Scientists before had always just tried to repeat successful approaches. But as he always stressed, the old ways have been tried again and again, they won’t lead to new discoveries. He looked at things in new perspectives. For example he invented the Feynman-diagram.

Feynman Diagram involving the Higgs Boson

Feynman Diagram involving the Higgs Boson.

Richard Feynman and Stephen Wolfram

Richard Feynman

Making cute little pictures to understand physics, instead of complex formulas? It was an outrage back then.

Now you might see what I’m getting at with the topic: He used art as a new way to look at physics.
Ok, I’m stretching the idea a bit – but lets take it further anyways. Because I would argue that as particle physics, so are many other science fields stagnating and hard to understand. Let’s take biology: It was nearly at the same time that the last major breakthrough came. With the discovery of the DNA in 1953.
There have been interesting refinements in our understanding of evolution. But I don’t see anything ground breaking.

Cosmology? The final proof for dark matter/energy has still to be made I guess, but just as with the particles, it is just about proving an existing and highly likely theory. There have been amazing insights close to the beginning of the universe. But there are now natural barriers stopping scientists from looking any further.

Cognitive science? Just taking one area: since Chomsky’s (re)formation of linguistics also in the 50s, there has been no new major insight into language. There is a lot of brain-scanning going on – finding out which part does what. But I don’t see that we really learned anything important yet from that.

Any other science you could think of? Maybe science has to be replaced with a new field to move us further.

Although science has allowed us to take major steps in our understanding, we shouldn’t automatically assume that it is the only way. Human culture probably started out with sounds and the first words. The next step was done by art – leading to a more lasting communication, and to writing. Then writing has dominated, allowing the creation of big stories, religions, states. I guess the dark ages were the great time for the art of war. And only after that science as we know it today began to take shape. Could something else grow out of this?

Feynman himself also painted portraits. But there are other scientists calling for artists – the brilliant mathematician Stephen Wolfram for example. Besides creating Matematica and the search engine WolframAlpha he also wrote “A New Kind of Science”. Mainly he uses the idea of cellular automatons – and took it much further. The basic idea is that you can create endless complexity with a very simple rule. He argues that the whole universe could be based on such a basic rule – the created patterns are infinitely complex.

Seashell and cellular automaton (Traffic CA)

Here I imposed a cellular automaton (made with "Mirek's Cellebration") over an seashell I found in Okinawa. Many patterns in nature are based on such very simple rules.

There are some beautiful images created by this. A nice entryway for art? Wolfram himself makes some hope – for example by explaining why mathematics is not necessarily the only answer: “It has often been thought that traditional logic-and to some extend mathematics-are somehow fundamentally special and provide in a sense unique foundations.

Cellular Automaton (Rule 110)

But the Principle of Computational Equivalence implies in fact that there are a huge range of other formal systems, equivalent in their ultimate richness, but different in their details, and in the questions to which they naturally lead.”
He does write in some detail about how art has been using some of these systems before (as in Celtic patterns), but not to the fullest – so he hopes for artists to take this further, and maybe help to spread the idea.

As a curious twist: I only found out while looking up links for this article, that Wolfram and Feynman knew each other very well – you see them together in the picture above (taken from Wolfram’s web page).

The possibilities are endless. Cognitive science, especially the understanding of consciousness is a field that seems stuck and where it is even easier to imagine that art could be the new way to go. I would even say that there are pieces of art that at least give me the sensation of seeing some meaningful message – even though I don’t quite get it.

Gustav Klimt 1907 - Der Kuss

Gustav Klimt 1907 - Der Kuss


So why art and not music or poetry? That’s just my bias. Games are also a great candidate. I can’t predict what will happen. Yet even though I simplified and maybe went too far out: I do think that it is time for a new perspective on things. Artists should try to pick up the torch – even though it will not be an easy task. To start to think about it and come up with ideas would be the first step.

Gustav Klimt 1907 - Portrait of Adele Bloch-Bauer

Gustav Klimt 1907 - Portrait of Adele Bloch-Bauer

January 21, 2010

From Dreams to Reality

Filed under: Uncategorized,science — Tags: , , , , , , — Thomas @ 03:45

Recently I found this talk by William Domhoff about dreams. It is always great when researchers talk about such foggy topics with so scientific methods: Just facts, numbers and logic. It’s not only that this helps to get a clearer picture of what is really going on – but exactly this dry approach leads to often very surprising and nearly magical surprises.

(Btw: I found his dream studies after looking at his amazing work about politics – his insights from “Who Rules America?” are just as astonishing.)

I love his ending remarks (watch it first, if you don’t like spoilers) – which start with a quote by Havelock Ellis: “Dreams are real while they last. Can we say more of life?”

An surprising idea – that maybe there is not really more to dreams than we think, but maybe less to reality. I am thinking about this a lot recently, I feel there is something to it.

There are some other things I wonder about. For example why these two worlds seem so different. It is not just replaying life. I dreamed a lot of stories recently, and while I find them amazing, none of them would work in a movie. I also aim at making my pictures more “dreamy” – but dreams don’t seem to give static normal images one could just paint down.
Here is a go at it by Arnold Böcklin (1827 – 1901) that makes me feel its worth trying. He was asked by an old lady to paint a “picture to dream oneself in”. The result is “Die Toteninsel” (“Isle of the Dead”). I took this photo in Berlin, where one of the four existing versions hangs. I can’t quite figure what makes it look like a dream, but it does totally work.

Arnold Böcklin   (1883) - Die Toteninsel (Isle of the Dead)

Arnold Böcklin (1883) - Die Toteninsel (Isle of the Dead)

January 12, 2010

The Values of Jacob Maris

Filed under: art findings — Tags: , , , , — Thomas @ 05:54

Jacob Henricus Maris (1837 – 1899) is a Dutch artist I found in a gallery in Assen (little town in Holland).
This particular image I find amazing. The day I discovered it, I’ve put it on my desktop. After that I went to sleep – and I dreamed I am there. I was in a world painted in this style – I was walking around analyzing how the light behaves. Very inspiring dream.
I’m sure it will show in my works – actually I’ll post one probably tomorrow. In any way it got me really motivated to paint outside.

Town - by Jacob Maris (1837-1899)

Town - by Jacob Maris (1837-1899)

The sky nearly seems to glow out of that picture, wouldn’t you say? I think its his impressive use of values (a topic I think a lot about recently, I had neglected it way too long).
For one it works because he made the contrast strong – he resisted the normal feeling to make the city bright and detailed as it looks to your eye when looking straight at it. Interestingly though, he also did not make it very dark, but uses a very narrow value spectrum – that is the important trick. He only saved those darkest darks for the figure, which gives the image a focus and keeps it warm and bright.

I’m surprised this artist is not more widely known. Anyways – here are some more – enjoy and start dreaming!

Jacob Maris (1837-1899) - Bomschuit op het Scheveningse strand

Bomschuit op het Scheveningse strand - by Jacob Maris (1837-1899)

Jacob Maris  (1837-1899) - Stenen Molen

Stenen Molen - by Jacob Maris (1837-1899)

Jacob Maris (1837-1899) - Woman Oil

Woman Oil (not the actual title) - by Jacob Maris (1837-1899)

 

 

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