|
|
Für den Blog direkt gibt es keine deutsche Übersetzung.
Wilkommen. Mein Name ist Thomas Schmall, momentan in Amsterdam unterwegs. Auf dieser Seite kann man meine Bilder (digital und traditionell) und Spiele sehen an denen ich arbeite.
Weiter unten ist mein Blog, auf dem ich Skizzen, Neuigkeiten und Ähnliches posten werde. Alle älteren Arbeiten sind in der Bilder Galeriezu finden.
Wer interessiert is Bilder zu kaufen kann die Info Seite lesen. Ich mache auch Portraits auf Wunsch. Und ich male gerne Portraits auf Events - bei Interesse, oder anderen Ideen, bitte eine email
an mich losschicken.
|
September 9, 2010
My travel to Dresden was short, but enough to fill two postings (here’s part one).
And I also want to tell some of my new plans for the coming months. The first thing: Get better quality reproductions of my paintings. If anyone knows a good place for scanning – please let me know. I searched all I can – but to no avail. Right now at least I got better pictures than with my normal cam. The plan is to sell high quality prints of all my upcoming works. Of which I’ve got a bunch standing around. I for example was painting more in the city now – and I want to make a proper series out of it.
 Film crew in the Oudekerk
Also, I’m working on a little game with a team of programmers from Utrecht. The announcement of “Caromble” is coming up – be scared
Oh yeah, and a German TV crew from travel and culture show was here. Filming me for one day – at home and going through Amsterdam. Here’s a shot of them filming me in the church where I was painting. Later we went to a squat in Distelweg where the “Art for Art’s sake” event was. I’m so curious how it turned out – will take until next year though until it is shown. I hope it is a bit promotion for me too.
 Sundown in Dresden, close to the river Elbe
Hm, how do I get the turn back to my adventures in Dresden? Maybe something I noticed when painting here in Amsterdam and in Dresden: The light is actually quite different. I don’t know why, but some colors like the ones in the photo I’ve never seen in the Netherlands. The sun seems much more yellow in Holland, and on sundowns it doesn’t fill the landscape as in Dresden. Would be curious to find out why… I tried to take the photo on a normal street as it could be anywhere really.
This warm filling light – maybe I imagine it, but it is very typical for the Dresden-views by Caspar David Friedrich.
 Caspar David Friedrich - 1830-34 "Das Riesengebirge"
|
.jpg) Caspar David Friedrich - 1832 "The big enclosure" ("Das Grosse Gehege" - Ostragehege)
|
Another exhibit I was at in Dresden was “What is Beautiful?” in the Hygiene Museum. It’s exploring beauty means in our culture and the roots of it in our brain.
Great for any artist of course – I especially liked the scientific part.
Did you know for example that all humans share the same preference for landscapes? Among all people Savannahs – warm open areas with some trees and bushes, landmarks and accessible water – are the most popular. And it doesn’t even matter where you live – it holds true even children born in forests high up north. That surprised me really. It is amazing though, it is like doing archeology in the brain – digging out what our ancestors saw and thus formed their preferences towards.
And it explains why the Dresdeners love the river-meadows on the Elbe so much.
 The "Elbauen" - the Savannah of Dresden - Watercolor 18x26 cm
This research is good to know for artists of course. There was much more at the exhibit and there is even a group in Berlin called Association of Neuroesthetics which wants to create an exchange between artists and neurologists. Maybe I’ll write them – sounds interesting.
September 5, 2010
I'm back from a trip to Germany - visiting Dresden, Berlin and then Dresden again. I want to use this posting and the next to share some little discoveries and my upcoming plans.
 Dresden from the museum's window. Credits to my mother for pointing out this beautiful view. It was only ten days, and somehow I always quench as much in as little time as possible. I'm surprised sometimes how much I manage - I read read more books than usually in half a year. I visit lots of museums, discover a lot of new places and interesting people - and that makes me draw more.
The inspiration is great, but the rushing is no good. I don't really have time to sit down and paint and I miss out on meeting people because I have to rush off again.
So the lesson learned is clear: Travel more, but take more time for it.
One Museum I visited was the newly opened Albertinum - containing the "National Public Art Collection". They've got a nice line of paintings ans sculptures - going from the late middle ages to modern nowadays art. I truly have the impression art got better and better over time. As good as Rembrandt was, he doesn't technically compare to most of his followers. The height of technical quality came around 1900, with Adolph Menzel, Leibl, Repin, Sargent and many others.
 Gustav Klimt, 1902, "Beech Grove" (or Beech Forest), oil on canvas They were succeeded by a lot more experimental artists. I especially liked the Gustav Klimt painting "Beech grove". Picasso is for me the turning point - after that I just can't understand it anymore. The last paintings, showing contemporary art, were the blurred photos of Gerhard Richter and some paintings like "Gray"... which is a gray canvas. They actually make me feel very uncomfortable. Maybe there are good concepts behind it - to me it's not good paintings.
It is odd though: Are the clear style episodes one sees in museums maybe not true to what artists did? Nowadays there are so many different styles, even closely resembling older art movements. There are technically superb artists, but somehow in the museums you only find a very specific selection - lacking anything but abstract conceptual art. A real shame.
Maybe it was the same throughout history - and those art directions we learn from books and museums are not truly movements. At least not movements of artists but rather of museum directors and book writers? I wonder what diversity we just missed out on.
What made up for my disgruntlement (whow, that word is in the dictionary) was a special discovery in the museums art shop.
David Hockney's "Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters ". He analyzes paintings goal to show that artists throughout history used lenses, mirrors or things like the camera obscura.
So he filled the book with massive amounts of huge beautiful prints of paintings - analyzing the style perspective and techniques. Comparing often how styles of artists developed or how their underpaintings looked. An art history book with lots of pictures? You can't imagine how rare that is.
A real catch - on sale for 19 instead of 50 Euro. If you're in Dresden - go and get it!
So much for part one from Dresden - more coming soon. But now I'm now off to another Red hair day in Breda.
July 31, 2010
Another painting from the Oudekerk in Amsterdam. I finally have time to do these things – and actually without rushing it too much. With this pillar I’m still trying to get a feel for it, before starting more complex parts of the building.
This coming Monday a German TV team will film me there for their travel show. They will also visit me at home – so I’ll be busy all this weekend cleaning up, so it looks respectable. I’m really curious what they will do.
 Oudekerk 2, oil on 30x40 cm linen
 There is my lonely easel in the church. The Oudekerk is btw. surrounded by the red light district.
July 9, 2010
Finally I can show all the results of the “Art for Arts Sake” event at Distelweg that I talked about earlier. Nadia organized a collaboration weekend. Nadia, David, Ronald and me were painting together on lots of pieces.
It was an interesting surprise to see how much people enjoyed watching the process, even staying there for hours on both days. It’s surely something we want to do again.
 Some of my paintings on the wall.
 The audience was hypnotized
 Sitting around and doodling
Besides being fun, I think its very good for learning. We gave every piece to the next person as soon as we were stuck. So the flow was nice, since everyone had an idea how to continue. And you could very exactly see how someone else approached the work.
Here’s the selection of pictures I liked most – but there is more picture stuffs at the beetje-lastig-blog.
 Art for Art Sake - Collaboration 3
 Collaboration 11 ... bubble-head-girl
 Collab 12 ... some interesting 'stories' evolved out of the pictures.
 Collab 13 ... an evil fetus - done on audience request
June 30, 2010
The other day if found via the interesting “Seth’s blog” this talk by Eric Mazur about how a teacher found out he sucked at teaching – and how he approached the problem.
I find this very inspiring on so many levels. First of all about how he approaches the issue. To search hard data on such vague topic like teaching is not obvious tough, but worth the effort.
Also the huge difference between information vs. understanding is stunning. We commonly equal them (“knows a lot” equals smart) – but they seem nearly unrelated principles. Something I never really noticed research about – I’ll come back to that on later posts.
But when he was describing the symptoms of bad teachings though, it got me flashbacks to another situation: Company meetings. The similarities are stunning. Especially the sentence that just as from the teacher also came always from our bosses “do you have any questions?”. With the same reaction… silence.
And equally despite that, the information that management wanted to transfer did often not get through. After a while the bosses would demand that the employees take notes. Which did not help at all.
That would frustrate both sides. With the management rolling their eyes about the stupidity of the employees. “If they didn’t get it, why didn’t they ask?”.
I never felt that was fair – but I had no answers either. This video explains a lot: Teaching just as business meetings are about transfer of understanding. And: If it doesn’t click its usually the teachers fault, not the students one. So yeah, your employees are usually not idiots.
The “bad version” of teaching was prepared by hiding information until the class started. The teacher did that intuitively so he actually has something to say. He then just reads through it – while speaking among the students was a nuisance. And then he asks “any questions?”.
Before company meetings any news or updates were kept internal to management, until it was shared in the session. Intuitively so, because when spreading the information beforehand it would be a wasted meeting, right? The employees have to stay silent and wait for the “any questions?” closure.
In both cases the data might have transfered, the understanding did not.
And just as the problem is the same – so is in my opinion the solution: Make the information early and easily accessible. It is not about the data! It’s about the understanding!
Secondly – allow the employees to talk to each other. This is in this case even feared by management. A misconception – but it highlights one difference: Especially in these American schools the pupils are the client – they pay, and they can demand good lectures. In a business the management pays – they demand effective work. And if the employees handle their stuff among themselves, the management feels obsolete.
A total misconception – but a common one. I’m talking about several game companies I’ve worked at – it is a familiar theme. I would be curious if other people have the same or different experiences.
The good thing is that more and more modern companies actually start to understand that this thinking is outdated. The bad news is: many didn’t get it yet. And the underlying undemocratic nature of businesses will make it hard to change the roots of the problem.
It also shows something managers, just as the teachers, often are not aware of: they are to a degree in another world – with another perspective. Peers are much more able to understand each others situation. That could scare you – but you could as well use it to your advantage.
June 22, 2010
First off: The events the last weekends were a lot of fun. I will post an update as soon as I can show the paintings.
And now to the portrait from last Friday. This time Kaisa, another good friend of mine. I’m glad she allowed me to paint her before she leaves to the other side of the world. Maroesja took a photo of me in action – shortly before the picture is done.
 Me swinging the brush!
 Kaisa, oil on 40x50cm linen
June 12, 2010
I guess we can blame it on the nice weather, but somehow now every weekend some nice artsy events are going on. In half an hour I’ll leave to Ruigoord – a squatted artists village near Amsterdam … they even got a squatted church. There is the All is One festival today (12th of June) and tomorrow. Not sure what to expect – but 100 artists will be there, so lots to see. I’ll probably do portraits in a tent called “The happy world”.
Until 3 o’clock this morning I was hanging up pictures in a squat in Amsterdam-Noord. There is the “Art for Art’s Sake” event. It started also today, but is continuing next weekend (19th and 20th of June). I will be there at least all next weekend – I think about using oil paint to paint some objects (they have loads of nice rusty machinery there). Or a model if I can find a victim .
Nadia is thinking about using their cinema for collaboration paintings via laptop. I hope that will work out. Entry is free – so come by if you can!
 "Art for Art's Sake" - Distelweg 113: Forgot to take proper pictures - here's the room, and where I was beginning building up.
And last week was another sketchmeet – a group of young concept artists running around in Haarlem and drawing. Was a lot of fun. Here are some results of the collaborations we did. Only the sketches I’ve kept – there was loads more of course.
 This is a collaboration where one person starts a little drawing, and then the image goes to the next guy. And everyone makes a variation or evolution of it.
 This is a drawing I did: supposed to be a huge creature attacked by a tiny cute one. I want to make this into a painting when I find the time.
 Since my "aggressive cute creature" failed. I asked around for people to make their versions.
 Interesting ideas, I'll combine them for a final one I think.
 And as bonus - a little drawing I saw on the Comic-Event that was that day in Haarlem. Some child was drawing the most awesome crocodile ever. Too bad I forgot to take a photo.
June 1, 2010
Another portrait – it got a bit more of the real feel that I am looking for, while still not seeming like a photo. Although the three hour sessions don’t leave me with enough time to measure exactly (leaving some inaccuracies there), they teach me how to work effectively. And it does add a loose touch, that I would not reach when having unlimited time.
I like that – but I still also want to do longer sessions. That would help me with studying more careful and really to think about each step. So I will start to seriously look for an atelier, so that I can plan this all myself.
 "Fabio", oil on 40cm x 30cm linen
May 29, 2010
After the first posting about “words that don’t exist” I was talking with friends about it and inspiring questions came up (i.e. in the comments). I want to use this second part to go into these, for example what I mean with “reality”.
Which also make more clear what I am not trying: I do not want to prove that words are always incorrect to describe reality. Although the word “wolf” from the last example is more abstract than we at first are aware of, it is nonetheless a valuable abstraction. Ghosts on the other hand are not an abstraction, but an invention.
 Somehow this is the image that comes to my mind when thinking about these things. Like looking through a window...
What is reality then? The actual physical world of the universe. In this reality there is no meaning. Things just react physically on the object next to them, that is it.
As soon as genes and evolution appeared something changed. Genes and thus life forms seek to survive. Already the earliest forms reacted to the environment in some way – no brain is needed for that. Bacteria might fall into stasis when food supply is low. In other words, they analyzed reality and categorized it according to “survival” or “non survival”.
The first life with a single light receptor might notice a shadow, and react accordingly. Even though this is more complex than what the bacteria did, it is still a gross simplification of reality – a shadow might mean anything.
Things have come a long way – the drive to sense and analyze the reality has created incredibly complex organisms. But the basics are the same: We gather input, then simplify this into a meaning. We could argue whether by now the goals are more complex than a mere struggle for survival. Still: any life has goals.
I think this is the easiest way to explain what reality is, and why analyzing it helps you achieve your goals better. And just as the simple life form might have mistaken a shadow for food although it was an enemy swimming by, so we are still prone to illusions and misunderstandings of reality.
And that’s why I want to write these articles. I want to find concepts we chase, but that don’t exist. And whatever your goal is, this approach will help.
Does this sound obvious to you? Most people believe otherwise: most spiritual and religious teachings tell people that reality doesn’t matter, that there is another world or that our mind influences the world or is the world.
I think it is natural to not see the distinction. Simple animals just react – done. No need to know what is real or not. And I suspect that even for humans this distinction is very new and quite unnatural. In ancient history whatever someone saw or was told of was reality – they did not know how simplified it was. And it is still surprisingly hard to really convince one (I include myself) that what we think about the world is often completely different of how the world is.
The Greeks are the first we know of to notice that. Just take the example of vision – even Plato still thought that rays leave our eyes so that we see objects. Aristotle then believed that the sun is there to allow the air to take the color of objects, which then touches our eyes.
It took us one thousand years to learn that it is light that allows vision. And nearly two thousand years to learn how much of the spectrum we can’t even see with our eyes. The image we have in our head is a fraction of what is really going on.
 ...or maybe it's the other way around. Although some people glorify the simple times when we were ignorant to reality: They do not really want to live in stone age times.
To understand better reality will help you with your goals. The fact that you could reach your current age and that you can read this text, is thanks to people researching reality – now called scientists.
Since “words” are also in the topic, I will explain what I think they are. Going back to the basic life forms: they would already try to communicate. With simple chemicals one bacteria might signal the other that the food supply is low. It is thus just transmitting the simplified meaning of its analysis.
A barking dog tells the other that danger is near. And words are just the extension – it is always about transmitting an analysis. They carry on the problems it: It is simplified, and it might be wrong, saying something exists that doesn’t. Additionally they might be unclear (I’m often confused what barking dogs try to say )
So in conclusion: “Reality” and “Words” are both concepts that do exist. And with this series I want to uncover topics were observing reality is lacking, or where unclear words are used.
Spirituality and the motivational industry being the worst. It is so easy to make random sayings sound true, because no one is researching the words – their meaning is completely fuzzy.
Philosophy has a similar problem. And emotional issues are somehow completely exempt from a careful look at the words we use. I don’t think that’s necessary. If today someone is seriously searching ghosts, we know he wastes his time (going back to the idea of a goal: it is impossible to reach) – yet we still put huge efforts looking for concepts and emotions that might just be an illusion.
And I do not pretend there are no limits – I can only use my brain (which is a simplification tool) and words (which multiply the problem).
May 22, 2010
This is the last image of the Portrait Month. Can’t wait for next year
 Flip - oil on linen 50x40 cm
I thought maybe it is interesting to show my palette for this one – so here is a photo of the state after half an hour. As you can see, I mix all major colors before I start painting. I don’t know anyone else doing it like that, but I think it makes sense. This way one can see all the value relationships before painting the shapes, saving me the pain of doing corrections on the canvas.
 Palette - premixing all the oil colors in big amounts
Older Posts »
| |