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Kyoto Exposition Thomas Schmall 2013 Portrait Ji-Hae Portrait Peter Kostüm Design

Machiya Gateway

Posted on May 16, 2013 by Thomas | Oil Paintings | Tags: , , , , , |

Haven’t shown the final version here yet (some work in progress though). This is a little side-street in Koyto, leading to a Machiya.

The owner there is reading my paper telling in Japanese that an organization sent me to paint some Machiya. Had to capture this bit. I also tried a bit perceptual trickery with the bikes on the left – leaving most as abstract shapes, only adding one or two visual bike elements. Something I want to use more.

Machiya Gateway - oil painting Thomas Schmall

“Machiya Gateway”, oil on 30 by 40cm linen canvas.

35.02132 135.74984

I’ll give a talk about my images at the Mediamatic Ignite event on May 29. It’s 5 minutes, so I’ll have to concentrate on one part of the experience, which will be the cultural differences – especially when it comes to beauty and art. Here’s a short preview:

Costumes of the André Hazes Musical – Part II

Posted on May 7, 2013 by Thomas | Costumes | Tags: , , , |

On to the next bunch of costumes for “Hij Gelooft in Mij”. Here is a little trailer showing some of them in action.

Andre and Rachel Hazes

So here are the drawings, the following is the same as the photo above, changed a bit in color.

Costume Musical- Hij Gelooft in Mij: Chantal Janzen in blue dress

"Rachel Hazes" played by Chantal Janzen.

Costume Musical- Hij Gelooft in Mij: Chantal Janzen in red coat

Costume casual male dress

The father, Jan Van Galen, played by Hajo Bruins.

Costume Musical- casual jumper

Andre Hazes hanging out addidas style.

ocre dress fashion illustration

Two versions of Babs (Jip Smit).

Trousers and green dress - fashion illustration

Red leather trousers

90s costume, jeans, red shoes

The 90s version of Rachel.

Costume Musical- Hij Gelooft in Mij: Ocre Suit

Jeans dress, fashion

Light white top, fashion illustration

Oh, what beautiful fractals you have, honey!

Posted on May 1, 2013 by Thomas | Art Ramblings,Science | Tags: , , , , |

Fractals, illustration, Alectoris Rufa

lookatme

Ornamental patterns are nice to look at. Nature has some stunning examples. But why are we so attracted by it? A recent study about red-legged partridges shows that we’re not the only ones… makes me wonder how we can use the lessons for artworks.

The study is a bit special (1), in that it doesn’t look just at size or color strength but at the form of the pattern. What seems to matter: regularity, contrast, the smoothness of transition from big to small patches and how twisted the pattern is (and as per usual, bigger is better). It’s those traits that the females get all googly eyed.

As I see it, to be a reliable mating signal, this has to have certain features: It must be costly, so that it shows the health of the male. It must be “honest”, so that weak males can’t simply fake the pattern. And there must be a simple rule behind it – else it would be too hard measure for the potential mate.
So: Based on simple rules, yet hard or costly to create… the females are all over that.

Fractals seem to fit those needs – which may explain how ubiquitous fractal patterns are in nature. As I wrote in an older article, some of these come from possibly very very easy algorithms. Which is generally what our genes like (they “prefer”to be short). I’m sure one must be careful here not to jump to conclusions about fractal influence on beauty. As noted in the study, sometimes just more complex patterns might show the health of the bird. But even then, it could give artists hints – about what kind of complexity is considered beautiful.

To say that humans would share this same taste as birds seems far fetched (we’re not looking for bird-mates after all). But there might be overarching rules for beauty. But there are studies the other way around, that might hint at something. For example a study by Stefano Ghirlanda et al. (2) shows that chickens have a similar taste for beauty in human faces. After being trained to always pick female faces, the chicken starts to prefer certain female faces over others…. stunningly the same that humans like most.

google search for beautiful peackock

Searching for “beautiful peacock” proves: even the google bot got seduced!


This seems to hint that we don’t have special genes telling us which faces to prefer – so that we get perfect offspring. But rather we rely on some basic mechanism that is present in all higher animals.
So if animals react as we do to human looks, then it’s not surprising humans react the same to bird looks? … and if you think about it: have you ever seen a photo of a female peacock?

footnotes n’stuff:
- (1) Paper: Fractal geometry of a complex plumage trait reveals bird’s quality (2012), Perez-Rodriguez, L., Jovani, R. and Mougeot, F., Proceedings of the Royal Society B. [download pdf] [safety copy]
- (2) Paper: Chickens prefer beautiful humans (2004), Stefano Ghirlanda, Liselotte Jansson, and Magnus Enquist [download pdf] [source][safety copy]

Draw Club Doodles

Posted on April 19, 2013 by Thomas | Drawings | Tags: , , |

Some random sketching from the last three Draw Club meetings. Part of my new plan to concentrate on drawing more. Which should allow for more experimenting. Have to get better at the basics anyways.

Even selling could be more fun. It’s not such a high hurdle for clients, and since I will have chance to do more art, I can test reactions… maybe get more stories in the pictures, or even draw after requests or so.

First step: I want to go to the Draw Club more. It’s a Mondayly meeting in Amsterdam of like-minded people who want to sit around and doodle. Everyone is welcome to join – has been good motivation so far.

fantasy machiya

Some fantasy machiya – ink and markers on paper

Random Sketch - Ink and markers

Random Sketch – Ink and markers on paper

Hand doodles - Ink and markers

Hand doodles – Ink and markers on paper

Continuous Flow: Saves Lives and Cake

Posted on April 15, 2013 by Thomas | Productivity | Tags: |

A fascinating application of continuous flow: A busy town center without traffic lights. Why does it work?

Just seeing the traffic light situation there makes me feel uncomfortable. The video below shows this busy square dominated by cars – and the surprising solution of reducing the amount of lanes and removal of all traffic lights. Cars, pedestrians and bikes mix more freely.
In a funny twist: That is kinda how it used to be in the early days of urban traffic.

I think the concentration on the “shared” part is not the best option. The Shared Space concept seems to have fallen out of favor here in the Netherlands (where much of it evolved). Bikers don’t find it much of an improvement over the usually split bike lanes. Maybe that’s different in Britain.
Besides, the idea that one should put people in danger, to encourage slower driving is questionable. The more accepted concept over here is to separate the forms of traffic.

Rather than just Shared Space, the solution above seems to be a smart mix of ideas working together. Adjusted to the specific situation.

Once piece flow - dishes stacking

Exhibit A of horrific consequences due to stacking.

- The removal of the green traffic light also removes the tacit justification or even duty to drive quickly.

- Accepting that humans are not all trying to dominate each other. People have to negotiate the space – and are willing to do so.

- Before it was simply over-managed. There is benefit of regulating – but it diminishes the more micro you get… hurting you at some point.

- The reduction of crossings in the traffic.

- And then there is the issue with stacking items. I wrote about the single-piece-flow before – and use it since then in the kitchen: By trying to never stack up stuff anymore. I wash up as soon as I am done with a piece – and it feels like surprisingly less work. It’s actually (gasp): kinda fun.

I will try to find more areas to use the idea. And the other insights.

So where do you think you have traffic lights in your life? Where do you stack to put things off for later? And where do you follow a schedule where maybe free dynamic play might not only be more fun, but more productive?

And Now for Something Completely Chicken

Posted on April 8, 2013 by Thomas | Watercolors | Tags: , , |

An homage to spring and easter. Painted from live … with annoyingly hyperactive chickens.

Chickens!  Watercolor

Chickens!
Watercolor on 20 x 25cm paper.

Can Game Art Please Evolve?

Posted on April 4, 2013 by Thomas | Art Ramblings,Games Industry | Tags: , , , |

This is starting to bug me – will the games art industry ever grow out its teenage years? And are the artists caught or complicit? Just a snapshot of links I came across this very morning.

I kiss the ground these artists walk on for their technical skills. I couldn’t create that. But that makes it double the shame that they use it on this kind of content.

Dark Queen by Brad Rigney Ben Lo - Infinite cover
Two links from CgHub today. … and I could have picked from many.

What I see there are typical adolescent male fantasies and fears. Super hot girls, luring openly with their sexuality – but dangerous to come close to. Seriously, don’t dare!
And the male, strong prose. Protecting that poor female in the background, holding her back. Surely I’m not the only one noticing how shocked she looks at that immense shiny gun trusting into the foreground.
Or maybe it’s because I talk with a friend about metaphors a lot recently – these things are not just pretty images. They say something with the content. That’s what the artists of our industry have been completely ignoring. What is expressed here? Could we actually instead have a message – maybe even a positive one?

Just to be clear I’m not against sexy girls in art. There are sexy girls in our lives, right? But they don’t all dress with little metal plates on their breasts. They are not just victims waiting for protection. Nor are they gonna burn us with fire (not always anyways).
The symbols get in the way of creating believable art. The woman in the first image above would loose all clothing in a second. Sometimes some tiny strings might just be necessary – I don’t even think they would cover her up all that much. And is nipple-armor really sufficient for battle?

These questions have been already covered wonderfully – I’m not saying anything new here. It’s just that the industry is not moving.
Serving the adolescent male target group has become the only tactic. And while that is a valid group to create art for – even mirroring their fears and desires – it can’t be 90% of the market. Feminist Frequency had a great video about Lego, how they intentionally started targeting this group, and lost their general appeal. And how they’re now in a spiral that they can’t seem to get out of anymore.
You hurt your sales – and maybe you’re even hurting other possible groups?

Artists have to work for the industry – I am part of it and don’t exempt myself from any critique. Sometimes there is no choice and sometimes it’s just fine anyways. But many continue the same in their spare time, when they have a choice. If you do something all life long, maybe it becomes routine too much? Maybe one learns to do the technique better and better – while forgetting to evolve on the subject. You stop to think about the “why” – “why are you doing art”?

Just another example of today’s news – a game people have likeley spend millions of dollar and years of work on:

Star Wars 1313 is probably cancelled now – and it’s said to have been losing steam for a while. Maybe there is a reason. It seems empty in game mechanics (“duck, shoot, roll” for the millionth time). The characters are B-movie cliche’s that movies got rid off after the 80s.
The showing off of testosterone levels again hurts believability: why do the guys jump into space without even checking? Why should I care about it, when they don’t? And will their attitude appeal to a broader audience than hardcore gamers? It might hurt others groups and your appeal in the long run.
This 3D-art has the same syndrome: Detail, detail, detail – shows off super high skill! But no style and no heart.

Mindless entertainment is OK. But if it’s mindless, don’t expect people to miss it when it’s gone.
And if nobody will miss your art, why spend your lifetime creating it?

WordPresss Plugin: Post Tags and Archive

Posted on April 1, 2013 by Thomas | Programming | Tags: , |

I’ve programmed a little plugin for the WordPress software (that is running the blog here). It makes it easier to show the tag-cloud and the archive in posts and pages.

It just always bothered me that I had these huge lists of archive links in the sidebar. Now I have only a very condensed cloud there – and show the full version via the plugin on the tag-cloud page and archive page. This way users can still find everything. The archive I combined with the popular posts there.

You can get the post-tags-and-archive plugin at wordpress.org. I also have all the details in the development section here.

It’s neat that the google search engine perceives content very much like a user would: Too many links, and it starts valuing them less. So less is better for the overview, while it also can still find every tag and archive on the extra pages.

Post Tags and Archives - Plugin banner

Yes yes yes – go crazy with those tags!

Painting: Machiya Family

Posted on March 27, 2013 by Thomas | Oil Paintings,Work in Progress | Tags: , , , |

Another painting from Kyoto. It’s the last days of the exhibition, so only until Saturday to see it in real! I offer anyone who wants a personal tour, since I live close enough to drop by… and I’m always curious about reactions and opinions

Machiya Family

“Machiya Family”, oil on 45 x 38 cm linen canvas.

35.02209 135.74351

Here are some steps of the process. After scouting the house, I first made some sketches. As with all the paintings there, I mixed several perspectives into one. So it needed some figuring out.

Machiya First Sketch

This high format, with the street bending the other way, was one possible option – but I went for the wide format to give more room to the lower area.

I came back the next morning to continue and found this stool waiting for me in front of the house, with a little message in German. Meeting the really nice family of this house – and getting some support (morally and coffeiny), made it all very enjoyable and motivating.

nice letter and a helpful chair

“Good Day Thomas! Give your Best! (with a little dragon painting one of the children living there)”

With this I couldn’t disappoint. Here is the sketch on canvas at the second day.

Painting Sketch - Step 1

In this case I started with a pencil sketch, and as per usual mixed all colors before painting. That helps me to figure out the color relationships.

Machiya Painting Step 2 - base

The base I had at the evening. That goes usually fast.

It took me two more days. At home I added some details that I could paint from memory. I also choose to open the door, to make it look as welcoming as I experienced it.

Charcoal Portrait

Posted on March 20, 2013 by Thomas | Portraits | Tags: , , , |

Here’s a quick charcoal portrait, done at a Wackers Academie workshop during the recent realisme art convention in Amsterdam.

Since we’re at it: The portrait month starts up in April – each Friday and Saturday. I’ll try to join again. If you want to volunteer as a model or go paint, check on the announcement or the Portretmaand on facebook.

Charcoal Portrait

Charcoal sketch on washi-paper.

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