Whitewalk – Drawing from a Fashion Event

Posted on September 29, 2010 by Thomas | Drawings | Tags: , , |

I started this at a fashion event in Amsterdam I was invited to. But the time was really really short, with the models only being there for a couple of seconds.

So I had to finish it at home, and used the chance to try a bit different style of penciling. Just by chance Gurney had a post about drawings, so I took some tricks. I like the structure the strokes create, and the vibrancy in it. I’ll just work a bit smaller from now on – and with less shading, as my thumb got blisters from filling up the whole sheet.

Whitewalk, Pencils on 32x42 cm Bristol Paper

Whitewalk, Pencils on 32x42 cm Bristol Paper

Not so smart people. Specimen: Sam Harris

Posted on September 27, 2010 by Thomas | Philosophy | Tags: , , , , , |

There are some really smart people I marvel at – I’ll list some in an upcoming post. But I’m also always amazed at how many people are considered smart, but say things that are obviously untrue. Amazingly things they can’t even really mean themselves.
It’s a curious thing. A topic that is really interesting to me – are they blind to the obvious?

A “great” place to look is the science/religion section in the huffington post. Full of Ph.D.’s who get the simplest things wrong. Whatever is written there about evolution is constantly false. A guy like Robert Lanza is apparently “likened to Einstein himself” – yet all his articles are based on his misunderstanding of Heisenbergs uncertainty principle.

But lets use Sam Harris as an example. He wrote there recently, promoting his new book. He proposes that science should calculate moral values. There is also a TED-talk about it.

The amount of fallacies in his ideas is amazing. All he does is setting up a bogus threat. He says that someone is arguing “anyone can do whatever he wants”. That “there are no values whatsoever”. I think its just an invention – if such perfect Nihilists would exist, they would just die because they see no value in breathing or eating.

He then eloquently defeats these imagined nihilist-extremists. This victory proves thus that woman shouldn’t wear burkas. Let’s take this weird logic as true: still the value is zero. I mean, how does he plan to rip those burkas off those women now?
That’s the actual question! Nothing new, and he doesn’t give an answer.
Can science predict how this could work? None that I know of. Math is good at calculating rotating planets and particles – in the social realm the scientific principle has been very helpless so far. History is never repeatable to check if the same would happen again. There is no scientific theory to even predict the simplest social settings. Let alone in complex cultural question as the tradition of the burka.

Harris leaves us with noting that applies to the real world. All that’s left is a theoretical idea that science might one day be able to calculate moral issues.
Well, lets take on that (quite useless) claim: First off we would need a true calculable universal value, that can be the basis. So that we can say “Action A has a better outcome than action B”. He suggests happiness. Does he really suggest that brain scans could give us a true definition of it? Even then: I personally don’t see happiness as an ultimate goal. I know that it’s a popular idea – but I would not accept morals based purely on this.

So he’s getting standing ovations at nothing but hot air? And while the crowd might not have had time to think about it – Sam Harris apparently managed to write a full book, while not thinking for five minutes. He is a perfect example of a man, that revered as smart – should be smart – but is constantly wrong.

And he missed even the most obvious problem: trying to put a number to a value of life is immoral. If I say your life is worth 10 bucks, it would clearly be wrong. No way around it. Changing it to two billion wouldn’t make it more true. Sometimes using math for moral calculations is immoral in itself.

Summer Shower in the Singel

Posted on September 16, 2010 by Thomas | Oil Paintings | Tags: , , , , |

My latest cityscape work from Amsterdam. I was standing on the Singel (a channel very close to Central Station), and looking at a little side road called Korsjespoortsteeg.

It was the toughest work so far - I started in April. But rain and hail stopped several sessions. In early summer it was too sunny, and only now I was able to complete it. Right now I do have the freedom to finally spend more time on my works, so lots of hours and though went into it.

I think it payed off. It is now exhibited in Koppelaars Kunsthuiskamer at the moment. And I've heard good comments by visitors about it (while I pretended just to be a art connoisseur watching other paintings :) ).

"Summer Shower in the Singel", oil on 40x50 cm linen

"Summer Shower in the Singel", oil on 40x50 cm linen

You can buy it in the gallery and I also offer prints - I am continuously working on getting the highest quality reproductions I can. When you buy a print you will get a limited copy printed on a canvas so that the result resembles the original as close as possible.

This print is limited to 20 copies.
Print in original size 40x50cm: 90 Euro.
Print in scaled size 30x40cm: 70 Euro.
(Plus delivery if destination is outside Amsterdam)

Right now I have high quality pictures of the following works, which I also offer as prints. Please contact me by mail. I am working on a more pictures, an automatic ordering system and more information in the next few weeks.

02_prinsen
32_kaisa
24_fabio
08_anna2

Exhibition by “Samurai Jack” Artist in Amsterdam

Posted on September 14, 2010 by Thomas | Exhibition Discoveries | Tags: , , |

Chris Reccardi: "Ravenswood" (Acrylics)

Chris Reccardi: "Ravenswood" (Acrylics)

A tip for anyone living in Amsterdam – and who likes the art from Samurai Jack and Ren & Stimpy.

There is a small gallery called KochXBos showing works by Chris Reccardi. He was an artist for both of these shows.
First I just saw the style of the art thinking “this is a rip-off”… but yeah, it’s the real deal. Didn’t expect cartoon artists in galleries here.

The exhibition is 10 minutes from Central Station. Despite what it says on the website, the owner assured me it will still be there for a month. Its small, but there are some other very nice artists too.

Redhead Day 2010 in Breda

Posted on September 11, 2010 by Thomas | Street Portraits | Tags: , , , , , |

My third Redhead Day in Breda, Holland – an event especially for red haired people.
And somehow it gets better every time. The organizing was really good and at the end some nice clients invited me for dinner… so I can paint them at home (thanks for the food :) ). I enjoyed it very much.
It seems though, that was the last really nice warm day here in Holland. Since then, it’s been all cold and rainy – so no more outside events this year unfortunately.

Luckily there are inside events in Amsterdam too. Today I’m going to an fashion event, where they invite artists to paint the models.

To the pictures… and since it’s too many, only post a selection here. Which is tough, since this time I think all turned out well. You can see every image and model in the gallery.

Red Hair Day 05

Red Hair Day 04

Red Hair Day 02

Red Hair Day 03

Red Hair Day 06

Red Hair Day 07

Red Hair Day 08

Red Hair Day 09

Red Hair Day 09

Red Hair Day 10

Red Hair Day 11

Dresden Part Two and Other News

My travel to Dresden was short, but enough to fill two postings (here’s part one).
And I also want to tell some of my new plans for the coming months. The first thing: Get better quality reproductions of my paintings. If anyone knows a good place for scanning – please let me know. I searched all I can – but to no avail. Right now at least I got better pictures than with my normal cam. The plan is to sell high quality prints of all my upcoming works. Of which I’ve got a bunch standing around. I for example was painting more in the city now – and I want to make a proper series out of it.

Film crew in the Oudekerk

Film crew in the Oudekerk


Also, I’m working on a little game with a team of programmers from Utrecht. The announcement of “Caromble” is coming up – be scared :)

Oh yeah, and a German TV crew from travel and culture show was here. Filming me for one day – at home and going through Amsterdam. Here’s a shot of them filming me in the church where I was painting. Later we went to a squat in Distelweg where the “Art for Art’s sake” event was. I’m so curious how it turned out – will take until next year though until it is shown. I hope it is a bit promotion for me too.

Sundown in Dresden, close to the river Elbe

Sundown in Dresden, close to the river Elbe

Hm, how do I get the turn back to my adventures in Dresden? Maybe something I noticed when painting here in Amsterdam and in Dresden: The light is actually quite different. I don’t know why, but some colors like the ones in the photo I’ve never seen in the Netherlands. The sun seems much more yellow in Holland, and on sundowns it doesn’t fill the landscape as in Dresden. Would be curious to find out why… I tried to take the photo on a normal street as it could be anywhere really.

This warm filling light – maybe I imagine it, but it is very typical for the Dresden-views by Caspar David Friedrich.

Caspar David Friedrich - 1830-34 - Das Riesengebirge

Caspar David Friedrich - 1830-34 "Das Riesengebirge"

Caspar David Friedrich - 1832 - Das Grosse Gehege (Ostragehege)

Caspar David Friedrich - 1832 "The big enclosure" ("Das Grosse Gehege" - Ostragehege)

Another exhibit I was at in Dresden was “What is Beautiful?” in the Hygiene Museum. It’s exploring beauty means in our culture and the roots of it in our brain.
Great for any artist of course – I especially liked the scientific part.
Did you know for example that all humans share the same preference for landscapes? Among all people Savannahs – warm open areas with some trees and bushes, landmarks and accessible water – are the most popular. And it doesn’t even matter where you live – it holds true even children born in forests high up north. That surprised me really. It is amazing though, it is like doing archeology in the brain – digging out what our ancestors saw and thus formed their preferences towards.
And it explains why the Dresdeners love the river-meadows on the Elbe so much.

The "Elbauen" - the Savannah of Dresden

The "Elbauen" - the Savannah of Dresden - Watercolor 18x26 cm

This research is good to know for artists of course. There was much more at the exhibit and there is even a group in Berlin called Association of Neuroesthetics which wants to create an exchange between artists and neurologists. Maybe I’ll write them – sounds interesting.

Tidbits from Dresden – Part One

Posted on September 5, 2010 by Thomas | Art Discoveries | Tags: , , , , , |

I'm back from a trip to Germany - visiting Dresden, Berlin and then Dresden again. I want to use this posting and the next to share some little discoveries and my upcoming plans.

Dresden from the Albertinum  window.

Dresden from the museum's window. Credits to my mother for pointing out this beautiful view.

It was only ten days, and somehow I always quench as much in as little time as possible. I'm surprised sometimes how much I manage - I read read more books than usually in half a year. I visit lots of museums, discover a lot of new places and interesting people - and that makes me draw more.
The inspiration is great, but the rushing is no good. I don't really have time to sit down and paint and I miss out on meeting people because I have to rush off again.

So the lesson learned is clear: Travel more, but take more time for it.

One Museum I visited was the newly opened Albertinum - containing the "National Public Art Collection". They've got a nice line of paintings ans sculptures - going from the late middle ages to modern nowadays art. I truly have the impression art got better and better over time. As good as Rembrandt was, he doesn't technically compare to most of his followers. The height of technical quality came around 1900, with Adolph Menzel, Leibl, Repin, Sargent and many others.

Gustav Klimt, 1902, "Beech Grove" (or Beech Forest), oil on canvas

Gustav Klimt, 1902, "Beech Grove" (or Beech Forest), oil on canvas

They were succeeded by a lot more experimental artists. I especially liked the Gustav Klimt painting "Beech grove". Picasso is for me the turning point - after that I just can't understand it anymore. The last paintings, showing contemporary art, were the blurred photos of Gerhard Richter and some paintings like "Gray"... which is a gray canvas. They actually make me feel very uncomfortable. Maybe there are good concepts behind it - to me it's not good paintings.

It is odd though: Are the clear style episodes one sees in museums maybe not true to what artists did? Nowadays there are so many different styles, even closely resembling older art movements. There are technically superb artists, but somehow in the museums you only find a very specific selection - lacking anything but abstract conceptual art. A real shame.

Maybe it was the same throughout history - and those art directions we learn from books and museums are not truly movements. At least not movements of artists but rather of museum directors and book writers? I wonder what diversity we just missed out on.

What made up for my disgruntlement (whow, that word is in the dictionary) was a special discovery in the museums art shop.

David Hockney's "Secret Knowledge: Rediscovering the Lost Techniques of the Old Masters". He analyzes paintings goal to show that artists throughout history used lenses, mirrors or things like the camera obscura.
So he filled the book with massive amounts of huge beautiful prints of paintings - analyzing the style perspective and techniques. Comparing often how styles of artists developed or how their underpaintings looked. An art history book with lots of pictures? You can't imagine how rare that is.

A real catch - on sale for 19 instead of 50 Euro. If you're in Dresden - go and get it!

So much for part one from Dresden - more coming soon. But now I'm now off to another Red hair day in Breda.

David Hockney "Secret Knowlegde of the Masters" - a page

David Hockney "Secret Knowlegde of the Masters" - another page

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